Contemporary Israeli Fiction in Translation: Writing the Nation
HEST 230
Fall 2006 not offered
|
| Certificates: Jewish and Israel Studies |
| Course Cluster: Jewish and Israel Studies |
Israeli fiction can be taken as a test case for the possibility of a national narrative in which the actions of individuals enact and allegorize the people as an actor in history. Such narratives presuppose a certain alignment between politics and culture such that a coherent sequence of public events is registered by and shapes private experience. It then follows that when private experience resists the logic of public events such narratives are experienced as artificial, even violent impositions on individual freedom. One powerful account of Israeli culture, associated with post-Zionist interpretations of Israeli history, contends that this is in fact the defining feature of contemporary Israel. Another account would suggest that while new ways of mapping public upon private experience may look like a disarticulation of these levels they in fact simply be taking into account the complications of history. To put it another way, what looks like an abandonment of origins might in fact be a way of soliciting those origins' capacity for self-questioning. This course will engage a series of literary mappings of contemporary Israeli experience with this question in mind. We will focus, in particular, on intersections of the sacred, on the one hand, and individual loss and desire, on the other, as suggesting new ways of representing the relation between private and public domains of experience. The sacred, we might say, while thoroughly marginalized by post-Zionist narratives was always highly problematic for the dominant strains of classical Zionism as well, except for when channeled into normative national political forms. The individual as site of loss and desire, meanwhile, while suppressed by nation building Zionism, has been celebrated by post-Zionism insofar as it indicates the need for post-national agencies. It is the articulation of these incorrigible forms of experience within a national frame, though, that accounts for much of the most vigorous literary experimentation with emergent forms of identity in Israel today. |
|
Essential Capabilities:
None |
| Credit: 1 |
Gen Ed Area Dept:
HA RELI |
| Course Format: Seminar | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: None |
|
Fulfills a Requirement for: None |
Major Readings:
Aharon Appelfeld, THE IRON TRACKS
Shulamit Haraven, THE MIRACLE HATER
Amos Oz, BLACK BOX
A.B. Yehoshua, MR. MANI
Also, a variety of short stories by Shimon Ballas, Yehuda Ben-Ner, Jacob Buchan, Yehudit Katzir, Etgar Keret, Savyon Liebrecht, Ronit Matalon, and Mira Magen.
|
Examinations and Assignments:
5-6 shorter response papers, final take home exam. |
Additional Requirements and/or Comments:
Does not count towards the Religion major. |
| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 0 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 0 | Unranked: 0 |
|
|