Postwar American Independent Cinema
FILM 348
Spring 2008 not offered
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What exactly defines an independent film or filmmaker? How free is an independent from the creative and industrial constraints of mainstream filmmaking? How have notions of independence changed over time? This course addresses these and other questions as it examines different models of American independent feature filmmaking in use from the 1940s to the present day. We will explore the various methods of production, distribution, and exhibition utilized by independent filmmakers and their range of reliance on the major studios. In addition, we will consider the aesthetic relationship between independent films and mainstream filmmaking, focusing in particular on how independents have used film form and narrative to differentiate their product. Prior knowledge of the American film industry is recommended for this course. |
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Essential Capabilities:
None |
| Credit: 1 |
Gen Ed Area Dept:
HA FILM |
| Course Format: Lecture / Discussion | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: None |
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Fulfills a Requirement for: (FILM-MN)(FILM) |
Major Readings:
Geof Andrew, STRANGER THAN PARADISE
Roger Corman, HOW I MADE A HUNDRED MOVIES IN HOLLYWOOD AND NEVER LOST A DIME
John Pierson, SPIKE, MIKE, SLACKERS & DYKES
John Lewis, ed., THE NEW AMERICAN CINEMA
Reading Packet
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Examinations and Assignments:
An analytical paper, a research paper and proposal, and an oral presentation. |
Additional Requirements and/or Comments:
Course fee: $60.00
This course is only open to junior and senior film majors. Attendance required. |
| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 0 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 0 | Unranked: 0 |
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