Nation, Gender, and Class: Cinematic Representations in Modern China
ALIT 248
Fall 2005
| Section:
01
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| Crosslisting:
EAST 248, WMST 247 |
The course examines the powerful role cinematic representation has played in (re)imagining and (re)constructing a new nation through continuously reconfiguration gender and class in twentieth century China. The course studies thirteen most representative films produced in different history periods of modern China, analyzing the binding rlationship among history, politics, and modern visual culture. |
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Essential Capabilities:
None |
| Credit: 1 |
Gen Ed Area Dept:
HA AL&L |
| Course Format: Lecture/Discussion | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: None |
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Fulfills a Requirement for: None |
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Past Enrollment Probability: Not Available |
| SECTION 01 |
Major Readings: Wesleyan RJ Julia Bookstore
Course packet including:
Chris Berry and Mary Farquhar, Stephanie Donald, Harry Kuoshu, Christopher Lupke, Miriam Bratu Hansen, Kristine Harris, Jubin Hu, Laikwan Pang, Vivian Shen, Yiman Wang, and Yingjin Wang.
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Examinations and Assignments:
One class presentation, two papers, and a final take home exam. |
| Instructor(s): Chi,Ta-Wei Times: .M.W... 02:40PM-04:00PM; Location: FISK116; |
| Total Enrollment Limit: 24 | | SR major: 4 | JR major: 4 | | |
| Seats Available: 1 | GRAD: 0 | SR non-major: 4 | JR non-major: 4 | SO: 4 | FR: 4 |
| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 0 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 0 | Unranked: 0 |
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