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CS92PROD
The Modernist City and Country: Nostalgic and Utopian Impulses in 20th-Century Documentary Art
CHUM 319
Spring 2006
Section: 01  
Crosslisting: FIST 253, ENGL 319

This seminar will chart the radical transformations of regional and urban culture that took place over the turn of the 20th century as they were expressed--and produced--by works of experimental documentary in various media. We will begin by studying two regional sites whose endangered cultural artifacts demanded preservation by civic bodies: the sinking city of Venice, and the dying or dispersing folk cultures of the American South. We will ask how efforts to salvage the stones of Venice or the strains of the blues through art led both to transmogrifications of local forms and to the articulation of cosmopolitan modernist aesthetics. In the course's third section, we will study the imagination of the rising metropolis through oppositional works of documentary produced under U.S. and Soviet regimes. Throughout the semester, we will ask: How can documentary works of art--nostalgic, dystopian, or utopian--affect civic planning and policy? Where do they fail? How has civic sponsorship governed the production or stultification of art?

Essential Capabilities: Reading Non-Verbal Texts
Credit: 1 Gen Ed Area Dept: HA CHUM
Course Format: SeminarGrading Mode: Graded
Level: UGRD Prerequisites: None
Fulfills a Requirement for: None
Past Enrollment Probability: Not Available

Last Updated on NOV-26-2024
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