The Documentary Film
FILM 385
Spring 2012
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01
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This course explores the history, theory, and aesthetics of nonfiction filmmaking from the origins of cinema to the present day. We will trace the emergence and development of documentary conventions and genres, paying particular attention to how structural and stylistic choices represent reality and shape viewer response. In class discussion, we will explore topics central to nonfiction filmmaking, including how documentary has been defined and redefined; how filmmakers and theorists have perceived the relationship between documentaries and the realities they represent; what conceptions of truth have guided the work of documentary filmmakers and theorists; the role of the documentary filmmaker as witness, mediator, instigator, promoter, and/or participant; documentary as social advocacy; the autobiographical impulse; the use of reflexivity; and the ethics of documentary filmmaking. Screenings will include films directed by Robert Flaherty, Pare Lorentz, Basil Wright, John Grierson, Luis Buñuel, Leni Riefenstahl, Jean Rouch, Alain Resnais, Frederick Wiseman, the Maysles brothers, Ross McElwee, Marlon Riggs, Godfrey Reggio, Errol Morris, James Longley, Bonnie Sher Klein, Amir Bar-Lev, and Michael Moore, among others. |
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Essential Capabilities:
Information Literacy
The course involves analysis of rhetoric, selection, and organization of visual documentary information. Students confront the stakes of representation of fact and objectivity in the film medium.
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| Credit: 1 |
Gen Ed Area Dept:
HA FILM |
| Course Format: Lecture / Discussion | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: None |
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Fulfills a Requirement for: (FILM-MN)(FILM)(HRAD-MN) |
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Past Enrollment Probability: Not Available |
| SECTION 01 |
Major Readings: Wesleyan RJ Julia Bookstore
Erik Barnouw, DOCUMENTARY: A HISTORY OF THE NON-FICTION FILM
Bill Nichols, INTRODUCTION TO DOCUMENTARY (Second Edition)
Selected readings by John Grierson, Dziga Vertov, Thomas Waugh, Jeffrey Rouff, Brian Winston, Richard Barsam, Joan Nicks, and others.
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Examinations and Assignments:
Weekly reflection journal; three 6-8 page papers |
Additional Requirements and/or Comments:
This course is open to all class years and majors, and may be taken by nonfilm majors as a general education course and by majors as a film history/theory elective. No prerequisites required. |
| Instructor(s): Bricca,Jacob Paul Times: .M.W... 01:10PM-04:30PM; Location: CFS190; |
| Total Enrollment Limit: 19 | | SR major: 5 | JR major: 5 | | |
| Seats Available: 1 | GRAD: X | SR non-major: 3 | JR non-major: 2 | SO: 2 | FR: 2 |
| Web Resources: Syllabus |
| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 6 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 2 | Unranked: 4 |
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