Authenticity and Perversity in Contemporary American Movies
SOC 307
Spring 2022 not offered
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This course will examine scholarly and popular conceptions of sincerity & perversity; authenticity & inauthenticity in contemporary American movies. How do notions of authenticity function within contemporary culture? What are the various inauthentic others to which authenticity is juxtaposed? |
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| Credit: 1 |
Gen Ed Area Dept:
SBS SOC |
| Course Format: Discussion | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: SOC151 |
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Fulfills a Requirement for: (SOC) |
Major Readings:
14 Movies including THE MATRIX, AVATAR, THE SOCIAL NETWORK
Karl Marx, ECONOMIC & PHILOSOPHICAL MANUSCRIPTS
Theodore Adorno, THE JARGON OF AUTHENTICITY
Jean Baudrillard, SIMULACRA AND SIMULATION
Donna J. Haraway, SIMIANS, CYBORGS, AND WOMEN
N. Katherine Hayles, HOW WE BECAME POSTHUMAN
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Examinations and Assignments:
Weekly film analysis, weekly reading journals, final paper. |
Additional Requirements and/or Comments:
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| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 0 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 0 | Unranked: 0 |
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