Awesome Cinema: Religion, Art, and the Unrepresentable
FILM 318
Spring 2021 not offered
|
| Crosslisting:
RELI 318 |
How does one represent the unrepresentable? In particular, how might a medium like cinema, founded on recording the visible world, move us to sense something beyond human experience? Various artistic, religious, and religiously artistic traditions use mystery, horror, surprise, disgust, and pleasure to evoke the uncanny, the majestic, the terrifying, and even the sublime in us. This class examines how filmmakers prompt audiences to feel awe (which might be awesome, awful, or both) and how that relates to religious engagement with the nonrational. Noting parallels in painting, ritual, architecture, and other means of expression, we consider how art structures emotion, perception, and cognition to exceed representation of the known. This class will examine how aliens, avatars, black holes, death, deities, demons, saints, saviors, superheroes, and nature have been conduits to that which appears to escape reason. Films will include "Arrival," "Interstellar," "The Exorcist," "Jai Santoshi Maa," "Passion of Joan of Arc," "Ten Canoes," and "Yeelen." |
|
| Credit: 1 |
Gen Ed Area Dept:
HA FILM |
| Course Format: Lecture / Discussion | Grading Mode: Graded |
| Level: UGRD |
Prerequisites: RELI151 OR FILM307 |
|
Fulfills a Requirement for: (FILM-MN)(FILM)(RELI-MN)(RELI) |
Major Readings:
Edwin A. Abbott, Flatland: A Romance of Many Dimensions (9780486272634)
Lauren Berlant, Desire/Love (0615686877)
Rudolf Otto, The Idea of the Holy (0-19-500210-5)
Donovan Schaefer, Religious Affects: Animality, Evolution, and Power (9780822359906)
Reader
|
Examinations and Assignments:
Weekly journal assignment; three essays |
| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 0 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 0 | Unranked: 0 |
|
|