In this course we'll explore framing devices used by artists to alter or define the context for their artwork and practice. We'll look at how an artwork is altered by its presentational context, how artists utilize methods and techniques external to their studio production to affect the presentational context, reception, and meaning of their work. We will explore these ideas through focused readings from interdisciplinary fields including literary theory, affect theory, art history, anthropology, and critical theory. Special attention will also be given to "exhibition prosthetics": press releases, wall texts, and interviews. We will research how artists contextualize their own work through writings, talks, and curation or criticism of others. We will experiment with the form of the artist talk as a discursive production and as performance. Participation in the class will include discussion of readings, attendance to visiting department lectures, class presentations, a field trip to New York, and another local field trip within Connecticut. This course is offered as an elective for Art Studio majors. |