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CS92PROD
Eloquent Forms: Topics in Italian Renaissance and Baroque Sculpture
ARHA 325
Fall 2026
Section: 01  
Crosslisting: RL&L 325

Early modern Italy was a site of vibrant and far-reaching innovation in the plastic arts. Driven by intense artistic competition, sustained by lavish patronage, and produced for religious, commemorative, and decorative purposes in both public and private settings, sculpture reached an unprecedented peak of creative ambition, material experimentation, and theoretical reflection during this period. From monumental urban commissions such as fountains to small-scale precious objects prized by elite collectors, sculptural works profoundly shaped the visual and sensory worlds of early modern Italy. This seminar explores the making and meaning of sculpture in the Renaissance and Baroque periods through close engagement with the works and careers of key artists, including Lorenzo Ghiberti, Donatello, Andrea del Verrocchio, Niccolò dell'Arca, Francesco Laurana, Properzia de'Rossi, Michelangelo, Benvenuto Cellini, Giambologna, Leone Leoni, Gianlorenzo Bernini, and Alessandro Algardi, among others. Readings and discussions are organized around thematic issues such as the making and viewing of early modern sculpture; the rhetoric of sculptural materials; verisimilitude and animation; sculpture and the senses; fragmentation and the non finito; touch, desire, and the nude; representations of force and violence; antiquarianism and collecting; tombs and sculptural commemoration; and monsters and monstrosity in garden sculpture.
Credit: 1 Gen Ed Area Dept: HA ART
Course Format: SeminarGrading Mode: Graded
Level: UGRD Prerequisites: None
Fulfills a Requirement for: (Art History Minor)(Art History)(Art Studio)(Italian Studies)
Past Enrollment Probability: Not Available

Last Updated on MAR-16-2026
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