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CS92PROD
Facts, Counterfactualisms, and the Historical Novel
CHUM 350
Fall 2025
Section: 01  
Crosslisting: ENGL 330

The aim of this course is to explore "the fact" as the site of contradictory desires and investments in nineteenth-century fiction. Charting two paths through both foundational examples of historical novel and through early counterfactual work (Uchronie, Aristopia: A Romance History of the New World), this course will trace the versions of historical thinking made possible within these traditions. As part of the course, we will explore some of the ephemera materials novelist's working notebooks, research sources, and unpublished manuscripts. Seminar work will include both theoretical readings on historical fiction, philosophy of history, and critical archival studies. We will read novels and narrative fiction from the Brontë siblings, George Eliot, Walter Scott, Maria Edgeworth, Charles Renouvier, and Thomas Hardy, alongside critical work by Georg Lukács, Catherine Gallager, Roland Barthes, Frederic Jameson, Michel Foucault, Saidiya Hartman, Hayden White, Dipesh Chakrabartky, Paul Ricouer, Carolyn Steedman, Natalie Zemon Davis, Kumkum Sangari, Elaine Freedgood, and Michel-Rolph Trouillot.
Credit: 1 Gen Ed Area Dept: HA ENGL
Course Format: SeminarGrading Mode: Graded
Level: UGRD Prerequisites: None
Fulfills a Requirement for: (English)
Past Enrollment Probability: Not Available

Last Updated on APR-03-2025
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