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CS92PROD
Blacksound: Recording Black Performance from the Phonograph to the Cassette
AMST 232
Spring 2027
Section: 01  
Crosslisting: THEA 230

This course surveys how sound technologies from the late nineteenth century to the late twentieth century -- such as the phonograph, radio, vinyl record, and cassette player -- have contributed to the circulation and commodification of global Black sonic invention. Hands-on engagement with these technologies will be a critical component of our in-class sessions. Readings in Black feminist thought, sound studies, and media history will anchor our interactive activities and discussions. Black cultural production like Ryan Coogler's film Sinners (2025) chart popular culture's vampiric relationship to Black performance. Concurrently, Black Studies scholarship like musicologist Matthew D. Morrison's theorization of "blacksound" (2024) delineates how such co-optation and extraction are rooted in blackface minstrelsy and slavery. Building on these artistic and scholarly projects, this course traces how slavery and its afterlives underwrite and haunt innovations in sound technology. The question at the heart of this class is: under anti-Blackness, what is truly "new" about new media?
Credit: 1 Gen Ed Area Dept: SBS AMST
Course Format: SeminarGrading Mode: Graded
Level: UGRD Prerequisites: None
Fulfills a Requirement for: None
Past Enrollment Probability: Not Available

Last Updated on MAR-30-2026
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