Wagner & Modernism|
FRST 339, MUSC 299, COL 349, GRST 239, GELT 239|
This course focuses on Richard Wagner and his complicated legacy to Modernism in Europe from the 1860s through the Nazis and beyond. Wagner's work stands at the crux of debates surrounding a modernist aesthetic. Key questions raised by his work are: the relationship between poetry, music, dance, and the visual arts; art and religion; art and racism, art and a mass audience; art and politics; synaesthesia; and the relationship between abstraction and figuration.
We will begin by analyzing Wagner's music and writings, and especially his idea of the GESAMTKUSNTWERK. The core of the course, however, will consist of looking at the idea that Wagner represented for artists in France, Germany, and Italy between 1860 and 1950. Artistic movements that we will examine include Symbolism, German Expressionism, Futurism, Fascist Art and Socialist Realism. We will also look at the influential writings on Wagner by Charles Baudelaire, Stéphane Mallarmé, Friedrich Nietzsche, Theodor W. Adorno and Clement Greenberg. Whether for or against Wagner, these writers and theorists decisively influenced artists' views of the composer.
Designing, Creating, and Realizing, Interpretation
||Gen Ed Area Dept:
|Course Format: Seminar||Grading Mode: Graded|
||Fulfills a Major Requirement for: (ARHA-MN)(ARHA)(ARST)(COL)(FRST-MN)(FRST)(GRST-MN)(GRST)(MUSC)(RMST)
||Past Enrollment Probability: Not Available
|Major Readings: Wesleyan RJ Julia Bookstore
Barry Millington, THE NEW GROVE WAGNER
Richard Wagner, WAGNER ON MUSIC AND DRAMA
Friedrich Nietzsche, THE BIRTH OF TRAGEDY AND THE CASE OF WAGNER
Kandinsky, ON THE SPIRITUAL IN ART
ART AND POWER: EUROPE UNDER THE DICTATORS
Boris Groys, TOTAL ART OF STALINISM: AVANT-GARDE, AESTHETIC DICTATORSHIP, AND BEYOND (1992)
Theodor Adorno, IN SEARCH OF WAGNER
A course reader with primary texts by Charles Baudelaire, Stéphane Mallarmé, Paul Gauguin, F.T. Marinetti, Carlo Carra, and Clement Greenberg. Secondary texts include studies on Gauguin, Van Gogh, Kandinsky, Futurism, Nazi art, and Socialist Realism.
|Examinations and Assignments: |
Short response papers, oral presentation, research paper.
|Additional Requirements and/or Comments: |
This course will draw students' attention to the diverse ways in which a single oeuvre--the writings and music of Richard Wagner--have been interpreted. Students will be asked to write a substantial research paper.
|Instructor(s): Kuenzli,Katherine M. Times: .....F. 01:10PM-04:00PM; Location: DAC300; |
|Total Enrollment Limit: 19||SR major: 5||JR major: 5|| || |
|Seats Available: 11||GRAD: X||SR non-major: 4||JR non-major: 5||SO: X||FR: X|
|Drop/Add Enrollment Requests|
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