The New German Cinema|
FILM 320, GELT 253|
This course will investigate the aesthetics, politics, and cultural context of the new German cinema. Having established a critical vocabulary, we will study the influence of Brecht's theoretical writings on theater and film; ambivalent positions vis-à-vis the classic Hollywood cinema; issues of feminist filmmaking and the thematic preoccupations peculiar to Germany, for example, left-wing terrorism and the Nazi past. Attendant materials will include literary sources, screenplays, and interviews.
||Gen Ed Area Dept:
|Course Format: Lecture/Discussion||Grading Mode: Graded|
||Fulfills a Major Requirement for: (GRST-MN)(GRST)
||Past Enrollment Probability: Not Available
|Major Readings: Wesleyan RJ Julia Bookstore
Films by: Fassbinder, Herzog, Alexander Kluge, Helke Sander, Schloendorff, Wim Wenders, and Tom Tykwer.
Literature: Rainer Werner Fassbinder, THE ANARCHY OF THE IMAGINATION
Werner Herzog, HERZOG ON HERZOG
Bertolt Brecht, BRECHT ON THEATER
Secondary Sources: James Monaco, HOW TO READ A FILM
Anton Kaes, FROM HITLER TO HEIMAT
|Examinations and Assignments: |
One short essay (3-5 pages), midterm exam, research paper (8-10 pages).
|Additional Requirements and/or Comments: |
One screening per week on Tuesdays. On Thursdays the class will be divided into two discussion sections. Students with a knowledge of German or a background in film or literary studies are especially welcome. Course fee: $60.
|Instructor(s): Lensing,Leo A. Times: ..T.R.. 01:10PM-04:00PM; Location: CFS100; |
|Total Enrollment Limit: UNL||SR major: UNL||JR major: UNL|| || |
|Seats Available: UNL||GRAD: UNL||SR non-major: UNL||JR non-major: UNL||SO: UNL||FR: UNL|
|Drop/Add Enrollment Requests|
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