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CS92PROD
Melodrama and the Woman's Picture
FILM 347
Spring 2021
Section: 01  
Crosslisting: FGSS 347

Within film history and criticism, the usage of the term "melodrama" has changed over time, as has the presumed audience for the genre. This course will investigate the various ways in which melodrama and the woman's picture have been understood in the United States and around the world, beginning in the silent period; ranging through the 1930s, '40s, and '50s; and culminating in contemporary cinema. We will pay particular attention to issues of narrative construction and visual style as they illuminate or complicate various analytical approaches to melodrama and speak to gender, sexuality, race, and class. Screenings include films directed by D. W. Griffith, Evgenii Bauer, Oscar Micheaux, John Stahl, Frank Borzage, Naruse Mikio, King Vidor, Wu Yonggong, Douglas Sirk, Vincente Minnelli, Max Ophuls, Mizoguchi Kenji, Kim Ki-young, Rainer Werner Fassbinder, Pedro Almodovar, Ann Hui, Lars von Trier, Farah Khan, and Luca Guadagnino, among others.
Credit: 1 Gen Ed Area Dept: HA FILM
Course Format: Lecture / DiscussionGrading Mode: Student Option
Level: UGRD Prerequisites: FILM304 OR FILM307
Fulfills a Major Requirement for: (FILM-MN)(FILM)
Past Enrollment Probability: Not Available

Last Updated on JUN-13-2021
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