Music of the 20th Century|
In the 20th Century, European and American art music ("classical music" in common parlance) became increasingly fragmented. Composition splintered into diverse idioms and methods: the minimalism of Steve Reich, impressionism of Claude Debussy, and indeterminacy of John Cage, to name only a few. Often, the proponents of one "school" vehemently rejected the techniques of the others. Perhaps as a result of such schisms, the audience for classical music--particularly contemporary composition--diminished in size, to the point that critics were hailing the "post-classical era" by the 1990s. The concert hall ceased to be a showcase for contemporary compositions, and became a kind of museum devoted to preserving (and occasionally reinventing) canonic works of the past. Commercial popular musics such as jazz and rock eclipsed classical music in audience appeal and relevance. While some c! omposers attracted listeners through their interface with folk and popular musics or with film (e.g., Aaron Copland, Leonard Bernstein), others preferred to cultivate small, but devoted audiences of initiates for their challenging works (e.g., Milton Babbitt, Arnold Schoenberg). Meanwhile, the advent of mass-produced sound recordings enabled music from distant times and places to be preserved, transported, and heard on demand, with profound consequences for the creation, performance, and consumption of music. In Music 244, we will explore the many trends that have marked classical musicking in the 20th Century. Through extensive listening assignments and primary source readings, we'll meet many of the century's influential composers, performers, critics, record producers, pedagogues, patrons, and listeners. In discussions and writing, we'll explore what the past century's legacy means for us as musicians and listeners today. While previous experience with music is useful, i! t is not a requirement for success in this course.
||Gen Ed Area Dept:
|Course Format: Lecture / Discussion||Grading Mode: Graded|
||Fulfills a Major Requirement for: (MUSC)
||Past Enrollment Probability: Not Available
|SECTION 01 In-person only|
|Major Readings: Wesleyan RJ Julia Bookstore
Robert P. Morgan, ed. Strunk┐s Source Readings in Music History: The Twentieth Century (New York: Norton, 1997).
Supplementary articles on Moodle
|Examinations and Assignments: |
Midterm and final examinations, research paper, concert report, occasional written assignments completed during class time.
|Instructor(s): Lindau,Elizabeth Ann Times: ..T.R.. 02:40PM-04:00PM; Location: RHH003; |
|Total Enrollment Limit: 18||SR major: 5||JR major: 2|| || |
|Seats Available: 0||GRAD: X||SR non-major: 5||JR non-major: 2||SO: 2||FR: 2|
|Drop/Add Enrollment Requests|
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