Contemporary Latin American Fiction: Writing After the Boom|
Spring 2019 not offered
One of the characteristics of recent Latin American fiction is the interest in more open, relaxed forms of narration that focus on individual lives against the backdrop of specific social issues. In this course we examine this new experimentation with novelistic form as we look at several matters, including social and political violence, gay and heterosexual subjectivity, literary tradition, and artistic production. Several films will also be discussed.
||Gen Ed Area Dept:
|Course Format: Lecture / Discussion||Grading Mode: Graded|
||Fulfills a Major Requirement for: (HISP)(LAST)(RMST)
Fernando Vallejo (Colombian): La virgen de los sicarios, 1994
Laura Restrepo (Colombian): La multitud errante, 2003
Abilio Estévez (Cuban): Manuel de tentaciones, 1999
Mario Bellatín (Mexican): Salón de belleza, 1996; Perros héroes, 2003
César Aira (Argentine): Varamo, 2002
Mayra Montero (Cuban): La última noche que pasé contigo, 1992
Roberto Bolaño (Chilean): Nocturno de Chile, 2000
|Examination and Assignments: |
Three papers (4-5 pp.) in addition to short reaction papers.
|Additional Requirements and/or Comments: |
This class is intended for students who have completed at least SPAN 221 or the equivalent with a B or better. Students who have not done so should consult with the professor before pre-registering. Readings, written assignments, and class discussion will be in Spanish. Only COL students may take this course CR/U.