Wagner and Modernism|
Spring 2010 not offered
FRST 339, MUSC 285, COL 349, GRST 239, GELT 239|
This course focuses on Richard Wagner and his complicated legacy to modernism in Europe from the 1860s through the Nazis and beyond. Wagner's work stands at the crux of debates surrounding a modernist aesthetic. Key questions raised by his work are the relationship between poetry, music, dance, and the visual arts; art and religion; art and racism; art and a mass audience; art and politics; synaesthesia; and the relationship between abstraction and figuration.
We will begin by analyzing Wagner's music and writings, and especially his idea of the GESAMTKUSNTWERK. The core of the course, however, will consist of looking at the idea that Wagner represented for artists in France, Germany, and Italy between 1860 and 1950. Artistic movements that we will examine include symbolism, German expressionism, futurism, Fascist art, and Socialist realism. We will also look at the influential writings on Wagner by Charles Baudelaire, Stéphane Mallarmé, Friedrich Nietzsche, Theodor W. Adorno, and Clement Greenberg. Whether for or against Wagner, these writers and theorists decisively influenced artists' views of the composer.
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|Course Format: Seminar||Grading Mode: Graded|
||Fulfills a Major Requirement for: (ARHA-MN)(ARHA)(ARST)(COL)(FRST-MN)(FRST)(GRST-MN)(GRST)(MUSC)(RMST)