Brown, Black, and Queer Forms and Feelings
ENGL 328
Spring 2017 not offered
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Certificates: Social, Cultural, and Critical Theory |
Course Cluster: Queer Studies |
Attending to how brutally not neutral the world is to black, brown, and queer forms of life and feelings of pleasure, this course investigates figures and feelings like abnormality, inscrutability, rage, illicit desires, errancy, illegality, fugitivity, and indifference. We will take up José Muñoz's invocation of a "minoritarian theory of affect" that insists that "whiteness is a cultural logic which can be understood as an affective code that positions itself as the law." We will study affect beyond whiteness through attention to legible sonic forms, audio-visual shapes, in African diasporic and Latina/o arts. We will consider the diasporas and collectives grouped together in the terms "minoritarian," "brown," and "black" as abnormal bodies that generate alternative modes of moving through and feeling ourselves in the world. We will study for radical potentiality in the beautiful, obscene, and off-kilter affects of brown and black aesthetic forms. |
Credit: 1 |
Gen Ed Area Dept:
HA ENGL |
Course Format: Lecture / Discussion | Grading Mode: Graded |
Level: UGRD |
Prerequisites: None |
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Fulfills a Requirement for: (ENGL) |
Major Readings:
Possible readings, listenings, viewings: Theory: Lauren Berlant, Ann Cvetkovich, José Muñoz, Fred Moten, Sianne Ngai, José Quiroga, Daphne Brooks, Antonio Viego, Kyla Wazana Tompkins, Mel Chen
Fiction: Invisible Man, Ralph Ellison White Girls, Hilton Als Down These Mean Streets, Piri Thomas Afro-6, Hank López The Brief Wondrous Life of Oscar Wao, Junot Díaz The Masses are Asses, and select poems, Pedro Pietri Breaking Up with Los Angeles, Raquel Gutierrez Lunar Braceros, Rosaura Sánchez and Beatrice Pita The Feel Trio and Hughson's Tavern, Fred Moten Films by Beatriz Santiago Muñoz Visual art and performance of Ana Mendieta
Music of: La Lupe, Louis Armstrong, Light Asylum, Azealia Banks, Outkast, Hector Lavoe, Fania All-Stars, Willie Colón, Zebra Katz, Mikey Blanco
Catalogues from following exhibitions: Infinite Island: Contemporary Caribbean Art (2007-2008); Phantom Sightings: Art After the Chicano Movement (2008); The Shadows Took Shape (2013-14); and art by Ebony G. Patterson
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