Space and Materiality: Performing Place
CHUM 317
Fall 2020 not offered
|
| Crosslisting:
THEA 357 |
Scenography explores and shapes the material world in and through the performative event. In site-specific performances, scenography transforms place and time to create an alternative reality in which the materiality of the artistic design and the performer's body intervene in the architecture of a place and the spectator's reception of meaning. In this course, we will study site interventions through the lens of street performance, immersive theater, and the theatrical apparatus to build a theoretical and hands-on understanding of the material potential and limitations of the four key elements involved in the scenographic project--artistic design, the actor's body, local architecture, and time.
This course is divided in four units: site-specific interventions; street performance; immersive theater; and theatrical apparatus. Each unit includes scholarly readings, assignments in performance and scenography, and a response paper. The final project for the course is a performance intervention devised for a particular site on campus that demonstrates the student's cumulative grasp of site specificity, scenography, and materiality. |
|
| Credit: 1 |
Gen Ed Area Dept:
HA THEA |
| Course Format: Seminar | Grading Mode: Student Option |
| Level: UGRD |
Prerequisites: None |
|
Fulfills a Requirement for: (THEA) |
Major Readings:
Elaine Aston and Bryan Reynolds, eds., PERFORMING SITE-SPECIFIC THEATRE POLITICS, PLACE AND PRACTICE, Palgrave, 2012.
Jan Cohen-Cruz, ed., RADICAL STREET PERFORMANCE, AN INTERNATIONAL ANTHOLOGY, Routledge 2013
Selected articles and artist work.
|
Examinations and Assignments:
Class participation and attendance 20%, Readings 30%, Practical Assignments 30%. Final project 20% |
| Drop/Add Enrollment Requests | | | | | |
| Total Submitted Requests: 0 | 1st Ranked: 0 | 2nd Ranked: 0 | 3rd Ranked: 0 | 4th Ranked: 0 | Unranked: 0 |
|
|