| COL102 | The Political Animal |
| COL103 | Cosmic Dissolution/Evolution? |
| COL104 | Baroque Rome: Creativity and Coercion |
| COL106 | The Italian Renaissance |
| COL107 | Madame Bovary in Context |
| COL108 | Language |
| COL109 | Five Days that Made the Middle Ages |
| COL110 | Land of Three Religions: Medieval Iberia |
| COL112 | Language, Mind, Body: Philosophies of Linguisitics |
| COL113 | Autobiography and Professional Choice |
| COL114 | Text and Context: Readings in Modern Europe |
| COL116 | Fiction and the Real |
| COL203 | Style, Authenticity and Community |
| COL208 | Rome Through the Ages |
| COL210 | What's Right and What's Left? Literature, Philosophy, Art, and Politics in Inter-War Europe |
| COL211 | Psychoanalysis and Feminism |
| COL212 | Refiguring the Body |
| COL215 | Theatre of Anton Chekhov: Research, Analysis, Performance |
| COL218 | Post-Modern Theory with an Historical Intent |
| COL221 | The Divine Comedy |
| COL224 | Cervantes: The Representation of Outsiders |
| COL226 | Francophone Uses of America in Literature and Film |
| COL227 | Migration & Identity in Contemporary France |
| COL230 | Shakespeare and Elizabethan Tragedy |
| COL231 | Orientalism: Spain and Africa |
| COL232 | Death and the Limits of Representation |
| COL234 | Dante and Medieval Culture I |
| COL236 | Dante and Medieval Culture II |
| COL237 | Garcia Lorca and His World |
| COL240 | The Early Modern European City |
| COL242 | Spain and Its Cinema: A Different Mode of Representation |
| COL244 | Junior Colloquium |
| COL246 | Senior Colloquium |
| COL250 | Narrative and Ideology |
| COL252 | Forgiveness and Retribution |
| COL256 | Paris and Its Representations: Realities and Fantasies |
| COL261 | Murder and Adultery: The French and Russian Novel |
| COL262 | Tolstoy |
| COL266 | Muslims and Infidels in the Medieval Mediteranean |
| COL267 | Jews, Christians, and Muslims in Medieval Spain |
| COL272 | Ten Days that Shook the World: from classical to modern Times |
| COL273 | Giants of German Prose |
| COL274 | Gogol, Bulgakov and Others. Russian Comic Fiction of the 19th and 20th centuries. |
| COL278 | The Cultural History of Reading and Writing |
| COL280 | Poetry and Philosophy |
| COL284 | Joyce's ULYSSES |
| COL286 | The Holocaust: Historical, Philosophical, Literary Aspects |
| COL287 | History of Political Philosophy: From Individual Rights to Group Rights |
| COL288 | Kierkegaard and Nietzsche: Living Philosophy |
| COL290 | Poems |
| COL291 | The Treason of the Intellectuals: Power, Ethics, and Cultural Production |
| COL293 | Irony and Imagination: Romantic Revolutions in Literature, Music, Art, and Thought |
| COL295 | The Poet In History |
| COL298 | Diversity and Disruption: German History from Luther to Napoleon |
| COL299 | Seminar in German Studies: States of Crisis, Narratives of Transgression |
| COL301 | Special Delivery: The French Epistolary Novel |
| COL303 | Political Independence and Literary Dependence in 19th Century Franco-Caribbean Literatures |
| COL304 | Adolescence |
| COL308 | Transcendence, Truth, and History in Modern Jewish Thought |
| COL309 | The Trauma of the Spanish Civil War: Representations on Narrative and Film |
| COL313 | Sex, Violence, and (Poetic) Justice: Spanish and New World Classical Theater |
| COL317 | Once Upon A Time Is Now |
| COL319 | European and Russian Avant-Garde |
| COL324 | Freud and Psychoanalysis |
| COL332 | European Intellectual History since the Renaissance |
| COL335 | Art and Truth in the History of Aesthetics |
| COL343 | Socratic Paradoxes Old and New |
| COL359 | Philosophical Classics I: Ancient Western Philosophy |
| COL363 | Postwar German Literature: Confrontations with the Past |
| COL381 | Eros, Love and Friendship in Plato |
| COL382 | Viennese Modernism |
| COL384 | Lust and Disgust in Austrian Literature Since 1945 |
| COL465 | Education in the Field, Undergraduate |