COL101F | Truth and Lies in Crime Writing (FYS) |
COL108F | Language (FYS) |
COL110 | What Does Art Mean? Studies in Aesthetics and Cultural Relevance |
COL115 | How to Read a Literary Text |
COL117 | Writing Love: Myth-Making and Experience in the Literature of Amour |
COL120 | Muslims, Jews, and Christians: Getting Along in Medieval Spain |
COL123 | Love, Sex, and Marriage in Renaissance Europe |
COL123F | Love, Sex, and Marriage in Renaissance Europe (FYS) |
COL125F | Staging America: Modern American Drama (FYS) |
COL129 | Writing the French Revolution |
COL138F | Masculinities (FYS) |
COL186 | The Changing American Novel: From Jack Kerouac to Maggy Nelson |
COL189 | Introduction to History: History of the Present |
COL201 | Writing Nonfiction |
COL204 | British Literature in the Enlightenment: Individualism, Consumer Culture, and the Public Sphere |
COL214 | The Modern and the Postmodern |
COL220 | Modern Christian Thought |
COL225 | 20th-Century Franco-Caribbean Literature and the Search for Identity |
COL226 | Dialogue of Poets: Classical and 20th-Century Poetry in Spain and Latin America |
COL228 | Virtue and Vice in History, Literature, and Philosophy |
COL229 | Heroes, Lovers, and Swindlers: Medieval and Renaissance Spanish Literature and History |
COL231 | Orientalism: Spain and Africa |
COL233 | Tales of Transcendental Homelessness: Journey, Adventure, and the Foreigner Before the Novel |
COL234 | The Cosmos of Dante's Comedy |
COL236 | Don Quixote: How to Read the Ultimate Novel |
COL237 | Introduction to the Hebrew Bible (Old Testament) |
COL238 | Animal Theories/Human Fictions |
COL240 | Modernism and Modernity in 19th-Century French Painting |
COL244 | Junior Colloquium |
COL247 | The Fall of Rome and Other Stories |
COL249 | Narrative and Ideology |
COL250 | The Renaissance Woman |
COL251 | Kafka: Literature, Law, and Power |
COL253 | Existentialism |
COL254 | Folly & Enlightenment: Madness Before and After the Mind/Body Split |
COL256 | The Emergence of World Literature(s) |
COL257 | Remembering Selves: Forces and Forms of Autobiography |
COL258 | The Word for World is Information: Ideologies of Language in Science Fiction & Film |
COL266 | History and Limits of Aesthetic Theory |
COL270 | Modernist City-Texts |
COL271 | Performing Ethnicity: Gypsies and the Culture of Flamenco in Spain |
COL272 | Exoticism: Imaginary Geographies in 18th- and 19th-Century French Literature |
COL274 | Outsiders in European Literature |
COL279F | Good, Evil, Human: German Fairy Tales and Their Cultural Impact (FYS) |
COL286 | French Cinema: An Introduction |
COL287 | Nietzsche als Versucher (CLAC.50) |
COL290 | Nietzsche - Science, Psychology, Genealogy |
COL303 | Matter, Community, Environment |
COL306 | Spectacles of Violence in Early Modern French Tragedy |
COL307 | Negotiating French Identity: Migration and Identity in Contemporary France |
COL308 | Medievals on the Move: Pilgrimage, Jihad, Crusade, and Apocalypse |
COL309 | Truth & the Poet: Lyric Subjectivity and Phenomenology |
COL313 | Classic Spanish Plays: Love, Violence, and (Poetic) Justice on the Early Modern Stage |
COL323 | Gender and History: Global Feminist Theories and Narratives of the Past (FGSS Gateway) |
COL324 | Interpreting the "New World": France and the Early Modern Americas |
COL328 | History and Theory |
COL332 | European Intellectual History since the Renaissance |
COL334 | The History of Spanish Cinema |
COL336 | Theories of Translation |
COL338 | Utter Nonsense: Modernist Experiments with Meaning |
COL341 | Plato's REPUBLIC |
COL347 | Emperor, Caliph, King: Comparing the Byzantines, Abbasids, and Carolingians |
COL350 | History as Tragedy: Genre, Gender, and Power in the Alexiad of Anna Komnena |
COL360 | Philosophical Classics II: Early Modern Philosophy from Descartes Through Kant |
COL390 | Romanticism-Realism-Modernism |
COL391 | Diderot |