| COL203 | World History |
| COL209 | Appearing Acts: Visual Histories and Identity Construction Through Photography in Spain |
| COL213 | Enlightenment and Science |
| COL214 | The Modern and the Postmodern |
| COL227 | Life Writing: Writing About the Self and from Experience |
| COL230 | Longform Narrative |
| COL232 | Cuneiform to Kindle: Fragments of a Material History of Literature |
| COL239 | Rebels and Rebellions in Early Modern Spain |
| COL247 | The Fall of Rome and Other Stories |
| COL252 | Writing Love: Articulations of Passion, Genres of Intimacy |
| COL263 | Greeks-Romans-Christians |
| COL268 | Nabokov |
| COL284 | Joyce's ULYSSES |
| COL294 | Soundscapes of Islam |
| COL304 | The Enlightenment You Don't Know (And What It Can Tell You about the Digital World) |
| COL310 | More-Than-Human-Worlds: Theories and Fictions |
| COL314 | Cuban Literature and Film: Imagination, Revolt, and Melancholia (CLAC 1.0) |
| COL328 | History and Theory |
| COL336 | Theories of Translation |
| COL349 | Modernism and the Total Work of Art |
| COL352 | Coming Out/Coming of Age: Narratives of Becoming in Italian Culture |
| COL355 | The Treason of the Intellectuals: Power, Ethics, and Cultural Production |
| COL359 | Philosophical Classics I: Ancient Western Philosophy |
| COL389 | The Mediterranean Archipelago: Literary and Cultural Representations |
| COL391 | Diderot: An Encyclopedic Mind |