| ENGL130 | The English Essay |
| ENGL131 | Writing About Places |
| ENGL132 | Writing Medicine and the Doctor-Writer |
| ENGL141F | Slavery, Latifundio, and Revolution in Latin American Literature and Cinema (FYS) |
| ENGL145F | Body and Text (FYS) |
| ENGL146F | Three Big Novels (FYS) |
| ENGL150F | American Crazy: Four Myths of Violence and National Identity (FYS) |
| ENGL152F | The Armchair Adventurer (FYS) |
| ENGL153F | Ethnicity, Race, and Religion in the Middle Ages (FYS) |
| ENGL154F | Maps, Globes, Moons: Renaissance Worldmaking (FYS) |
| ENGL155F | Utopian Planning from Plato's Republic to UFO Cults (FYS) |
| ENGL157F | Caribbean Literature and Writing the Environment (FYS) |
| ENGL162F | The Past and Present of American Journalism (FYS) |
| ENGL165F | Querying the Nation: American Literature and Ethnic Studies (FYS) |
| ENGL175F | Staging America: Modern American Drama (FYS) |
| ENGL176F | August Wilson (FYS) |
| ENGL186 | The Changing American Novel: From Jack Kerouac to Maggy Nelson |
| ENGL201A | Ways of Reading: Originality and Its Opposites |
| ENGL201C | Ways of Reading: Texts and Territories |
| ENGL201D | Ways of Reading: Reading for Genre: Form, History, Theory |
| ENGL201E | Ways of Reading: Gifts, Debts, and Promises |
| ENGL201H | Ways of Reading: Influence, Imitation, Invention |
| ENGL201K | Ways of Reading: Borrowing and Stealing: Authorship and Originality in Literature |
| ENGL201L | Ways of Reading: Forms of Difference |
| ENGL201Q | Ways of Reading: The Pleasures of the Text |
| ENGL201R | Ways of Reading: Sound Sense, Nonsense, and Language's Radical Desires |
| ENGL201T | Ways of Reading: Literature About Literature |
| ENGL203 | American Literature from the Colonial Period to the Civil War |
| ENGL203A | American Literature on Fire: Conquest, Capitalism, Resistance: 1492-1865 |
| ENGL204 | American Literature, 1865-1945: The Americanization of Power |
| ENGL206 | British Literature in the Enlightenment: Individualism, Consumer Culture, and the Public Sphere |
| ENGL207 | Chaucer and His World |
| ENGL209 | From Seduction to Civil War: The Early U.S. Novel |
| ENGL211 | Ethics of Embodiment (FGSS Gateway) |
| ENGL212 | Edgar Allan Poe and Literary Culture |
| ENGL213 | Contemporary British and American Fiction |
| ENGL214 | Writing Nonfiction |
| ENGL218 | Shakespeare and the Tragedy of State |
| ENGL222 | Slavery and the Literary Imagination |
| ENGL224 | Medieval Drama: Read It and Be in It |
| ENGL225 | Darwinian Fictions |
| ENGL226 | Romantic-Era Extremities: Madness, Revolution, Sublimity, and the Celtic Fringe |
| ENGL227 | Reading The Victorians |
| ENGL230 | Introduction to Asian American Literature |
| ENGL231 | Contemporary Puerto Rican Art and Literature |
| ENGL232 | Mystics and Militants: Medieval Women Writers |
| ENGL233 | All Ah We: Contemporary Afro-Caribbean Drama & Performance |
| ENGL235 | Childhood in America |
| ENGL239 | The Empire Writes Back: Readings in Postcolonial Literature |
| ENGL243 | Caribbean Writers in the U.S. Diaspora |
| ENGL244 | Kill Anything That Moves: The Vietnam War in Literature and Film |
| ENGL246 | Personalizing History |
| ENGL247 | Narrative and Ideology |
| ENGL248 | Shakespearean Revolutions |
| ENGL251 | Epic Tradition |
| ENGL252 | Animal Theories/Human Fictions |
| ENGL253 | Science and/as Literature in Early Modern England |
| ENGL255 | Writing on the Land of Freedom: The Pastoral in African American Literature |
| ENGL256 | The Emergence of World Literature(s) |
| ENGL257 | Literature of the Gilded Age |
| ENGL258 | New World Poetics |
| ENGL260 | The Word for World is Information: Ideologies of Language in Science Fiction & Film |
| ENGL261 | Pirates, Puritans, and Pequots: Literatures of the Renaissance Atlantic |
| ENGL262 | Beyond the Talking Book: Reading African American Literature in the Newspapers |
| ENGL263 | Black Performance Theory |
| ENGL264 | Outsiders in European Literature |
| ENGL266 | Special Topics: Creative Writing for New Media |
| ENGL267 | The 1850s |
| ENGL272 | Modernist City-Texts |
| ENGL275 | Race and Place in Early American Writing |
| ENGL279 | Introduction to Latina/o/x Literature and Art: Border, Citizen, Body |
| ENGL281 | Award-Winning Playwrights |
| ENGL284 | Literary Perversions: Revolution, Democracy, Identity |
| ENGL290 | Place, Character, and Design: Techniques in Writing Nonfiction and Fiction |
| ENGL293 | Love, War, and a Few Monsters: An Introduction to Medieval Literature |
| ENGL297 | Creating Children's Books I |
| ENGL298 | Richard Wright and Company |
| ENGL300A | Creative Writing Workshop: Multi-Genre: Writing Ecologies |
| ENGL302 | Matter, Community, Environment |
| ENGL304 | Lyric Poetry and Music: The Color and Politics of Cry, Sound, and Voice |
| ENGL305 | Shakespeare's Macbeth: From Saga to Screen |
| ENGL307 | Britons and Other Life Forms |
| ENGL311 | Modernist Writers: Virginia Woolf and Jean Rhys |
| ENGL312 | Special Topic: Girls: Character Development Across Genres |
| ENGL313 | Special Topic: The Art of the Essay |
| ENGL317 | Special Topics: Plot |
| ENGL320 | The Senses and the Subject in Cinema and Poetry |
| ENGL322 | American Modernism |
| ENGL323 | What Was the Public Sphere? |
| ENGL326 | Advanced Nonfiction Workshop |
| ENGL328 | Brown, Black, and Queer Forms and Feelings |
| ENGL337 | Advanced Poetry Workshop |
| ENGL339A | Intermediate Fiction Workshop: Vernacular |
| ENGL341 | Archiving America |
| ENGL342 | Advanced Fiction Workshop |
| ENGL343 | Contesting American History: Fiction After 1967 |
| ENGL344 | Women's Lib, Women's Lit |
| ENGL346 | Utter Nonsense: Modernist Experiments with Meaning |
| ENGL347 | Special Topics: Day Books, Diaries, Notebooks, Etc. |
| ENGL349 | Historicizing Early Modern Sexualities |
| ENGL351 | Debate and Destruction: Jews and Christians in the Middle Ages |
| ENGL352 | Developing a Perspective: Looking at the World Afresh |
| ENGL354 | Reading and Rereading Moby Dick |
| ENGL355 | Scribes, Book Worms, and Bibliomaniacs: The Thrall of the Book |
| ENGL356 | Theories of Translation |
| ENGL358 | Writing the War on Terror: Crafting Literary Responses to Fiction, Film, and Television after 9/11 |
| ENGL360 | Special Topics: Writing Lives |
| ENGL362 | Friendship and Collaboration: In Theory, In Practice |
| ENGL364 | Special Topic: Experiments in Fiction |
| ENGL365 | Ethics and Literature |
| ENGL367 | Nature Description: Literature and Theory |
| ENGL368 | Incarceration and American Literature |
| ENGL370 | The Novel as History |
| ENGL371 | Sister Acts: Black Feminist/Womanist Theater of the African Diaspora |
| ENGL373 | From Courtly Love to Cannibalism: Medieval Romances |
| ENGL375 | Black Global Cities |
| ENGL376 | The New York Intellectuals |
| ENGL378 | Queer Times: Poetics, Activisms, Temporalities |
| ENGL379 | Special Topic: Writing the Sonnet |
| ENGL380 | Special Topics: Prosody and Poetic Forms |
| ENGL382 | Reading Between Freedom and Necessity |
| ENGL385 | Survey of African American Theater |
| ENGL386 | Special Topics: Improvisation--Collaborating with the Unknown |
| ENGL387 | Literature of London |