| ENGL113F | A Nation of Immigrants? (FYS) |
| ENGL121F | Are You a Feminist? (FYS) |
| ENGL141F | The Revolutionary Rupture: Slavery, Latifundio & Rev in Carib & Lat. Amer. Lit. & Cinema (FYS) |
| ENGL165F | Querying the Nation: American Literature and Ethnic Studies (FYS) |
| ENGL176F | August Wilson (FYS) |
| ENGL190F | Place, Character, and Design: Techniques in Writing Nonfiction and Fiction (FYS) |
| ENGL201B | Ways of Reading: Unreliability |
| ENGL201K | Ways of Reading: Borrowing and Stealing: Authorship and Originality in Literature |
| ENGL201Q | Ways of Reading: The Pleasures of the Text |
| ENGL203 | American Literature from the Colonial Period to the Civil War |
| ENGL210 | The Rise of the Novel |
| ENGL211 | Calderwood Seminar in Public Writing: Writing Science, Writing Science Studies |
| ENGL214 | Writing Nonfiction |
| ENGL226 | Sublimity, Visions, and the Self in British Literature, 1789-1830 |
| ENGL244 | Kill Anything That Moves: The Vietnam War in Literature and Film |
| ENGL261 | "Before the 'Body' there is the 'Flesh'": Reading Hortense Spillers |
| ENGL262 | Beyond the Talking Book: Reading African American Literature in the Newspapers |
| ENGL270 | Writing Creative Nonfiction |
| ENGL295 | Reading Theories |
| ENGL302 | Special Topics: Environmental Fiction |
| ENGL304 | Lyric Poetry and Music: The Color and Politics of Cry, Sound, and Voice |
| ENGL308 | All the Feels: Affect Theory and Cultural Studies |
| ENGL343 | Special Topic: Writing Crime and Noir Fiction |
| ENGL349 | Historicizing Early Modern Sexualities |
| ENGL350 | The Law, the Citizen, and the Literary and Cinematic Imaginations |
| ENGL351 | Aesthetics and/or Ideology |
| ENGL368 | Faulkner and the Thirties |
| ENGL370 | The Novel as History |
| ENGL371 | Sister Acts: Black Feminist/Womanist Theater of the African Diaspora |
| ENGL384 | Special Topic: Between Forms: Intermedia Arts Workshop |
| ENGL392 | Topics in the Early Modern Lyric: Metaphor |