| FILM145 | Animating Science |
| FILM202 | Science and Film: Defining Human Identity |
| FILM304 | History of World Cinema to the 1960s |
| FILM307 | Western Movies: Myth, Ideology, and Genre |
| FILM308 | The Musical Film |
| FILM309 | Film Noir |
| FILM313 | Early Cinema and the Silent Feature |
| FILM314 | Directorial Style: Classic American Film Comedy |
| FILM316 | Nationality and Power at the Movies: The Combat Film |
| FILM322 | Alfred Hitchcock |
| FILM323 | Anthropology and the Nonfiction Cinema |
| FILM341 | The Cinema of Horror |
| FILM342 | Cinema of Adventure and Action |
| FILM343 | The History of the American Film Industry in the Studio Era |
| FILM344 | Color in the Cinema |
| FILM346 | Contemporary East Asian Cinema |
| FILM347 | Melodrama and the Woman's Picture |
| FILM350 | Contemporary International Art Cinema |
| FILM351 | Classical Film Theory |
| FILM352 | From Caligari to Hitler: Weimar Cinema in Context |
| FILM353 | Visual Effects: History and Aesthetics |
| FILM363 | Making Anthropological Video and Visual Anthropology |
| FILM365 | Kino: Russia at the Movies |
| FILM385 | The Documentary Film |
| FILM386 | The Documentary Film for Majors |
| FILM456 | Advanced Filmmaking |