| FILM140 | Making the Science Documentary |
| FILM309 | Film Noir |
| FILM310 | Introduction to Film Analysis |
| FILM312 | The Western: History and Definition |
| FILM313 | Early Cinema and the Silent Feature |
| FILM314 | Directorial Style: Classic American Film Comedy |
| FILM319 | Television Storytelling: The Conditions of Narrative Complexity |
| FILM322 | Alfred Hitchcock |
| FILM323 | Anthropology and the Nonfiction Cinema |
| FILM341 | The Cinema of Horror |
| FILM343 | The History of the American Film Industry in the Studio Era |
| FILM344 | Color and Light in the Cinema |
| FILM346 | Contemporary East Asian Cinema |
| FILM347 | Melodrama and the Woman's Picture |
| FILM348 | Postwar American Independent Cinema |
| FILM350 | Contemporary International Art Cinema |
| FILM351 | Classical Film Theory |
| FILM352 | From Caligari to Hitler: Weimar Cinema in Context |
| FILM353 | Visual Effects: History and Aesthetics |
| FILM365 | Kino: Russia at the Movies |
| FILM366 | Celebrating Elia Kazan |
| FILM386 | The Documentary Film for Majors |
| FILM455 | Writing for Television |
| FILM456 | Advanced Filmmaking |