| FILM140 | Making the Science Documentary |
| FILM302 | Italian Cinema, Italian Society |
| FILM303 | Falling Anvils and Flying Pigs: The History and Analysis of Animated Cinema |
| FILM304 | History of World Cinema to the 1960s |
| FILM308 | The Musical Film |
| FILM309 | Film Noir |
| FILM310 | Introduction to Film Analysis |
| FILM312 | The Western: History and Definition |
| FILM313 | Early Cinema and the Silent Feature |
| FILM314 | Directorial Style: Classic American Film Comedy |
| FILM322 | Alfred Hitchcock |
| FILM325 | National Cinemas: Eastern Europe |
| FILM341 | The Cinema of Horror |
| FILM342 | Cinema of Adventure and Action |
| FILM343 | The History of the American Film Industry in the Studio Era |
| FILM344 | Color and Light in the Cinema |
| FILM348 | Postwar American Independent Cinema |
| FILM350 | Contemporary International Art Cinema |
| FILM351 | Classical Film Theory |
| FILM352 | From Caligari to Hitler: Weimar Cinema in Context |
| FILM353 | Visual Effects: History and Aesthetics |
| FILM360 | Philosophy and the Movies: The Past on Film |
| FILM365 | Kino: Russia at the Movies |
| FILM366 | Elia Kazan's Films and Archives |
| FILM367 | Frank Capra's Films and Archives |
| FILM385 | The Documentary Film |
| FILM386 | Documentary Film and Filmmaking |
| FILM455 | Writing for Television |
| FILM456 | Advanced Filmmaking |