| FILM105 | Writing the Moving Image: An Introduction to Crafting Visual Stories |
| FILM157 | Unfaithful: Relationships Between Film and Literature |
| FILM250 | Computational Media: Videogame Development |
| FILM301 | The History of Spanish Cinema |
| FILM304 | History of Global Cinema |
| FILM305 | Sophomore Colloquium for Declaring Majors |
| FILM309 | Immersion Seminar: Film Noir |
| FILM314 | Directorial Style: Classic American Film Comedy |
| FILM315 | Myth and Ideology in Cinema: Hollywood Sex, Race, Class, and Culture |
| FILM319 | Television Storytelling: The Conditions of Narrative Complexity |
| FILM320 | The New German Cinema |
| FILM322 | Alfred Hitchcock |
| FILM326 | At Home in the World: Transnational Women's Cinema |
| FILM330 | The Art and Business of Contemporary Film |
| FILM331 | Video Games as/and the Moving Image: Art, Aesthetics, and Design |
| FILM342 | Cinema of Adventure and Action |
| FILM346 | Contemporary East Asian Cinema |
| FILM347 | Melodrama and the Woman's Picture |
| FILM349 | Television: The Domestic Medium |
| FILM352 | From Caligari to Hitler: Weimar Cinema in Context |
| FILM357 | Fassbinder & Sirk: Limitations of Life |
| FILM362 | Calderwood Seminar in Public Writing: The Dark Turn in Television Storytelling |
| FILM366 | Elia Kazan's Films and Archives |
| FILM370 | The Art of Film Criticism |
| FILM381 | Martin Scorsese |
| FILM386 | The Long and the Short: Fritz Lang in Berlin and Hollywood |
| FILM389 | Film Genres: The Western |
| FILM392 | Cinema Stylists: Sternberg, Ophuls, Sirk, Fellini |
| FILM455 | Writing for Television |
| FILM457 | Advanced Filmmaking |