| FILM104 | Introduction to Collaborative Documentary Filmmaking |
| FILM230 | Introduction to Korean Cinema |
| FILM231 | Wartime Film Culture in the Japanese Empire |
| FILM232 | Minority Voices in Japanese Film and Literature |
| FILM301 | The History of Spanish Cinema |
| FILM307 | The Language of Popular Cinema |
| FILM308 | The "Hollywood" Musical |
| FILM309 | Immersion Seminar: Film Noir |
| FILM311 | Israel in Therapy: Society Under the Influence of TV Series |
| FILM318 | Awesome Cinema: Religion, Art, and the Unrepresentable |
| FILM320 | The New German Cinema |
| FILM322 | Alfred Hitchcock |
| FILM323 | Film and Anthropology |
| FILM324 | Visual Storytelling: The History and Art of Hollywood's Master Storytellers |
| FILM328 | Moving Images Beyond the West: An introduction to Global Media |
| FILM330 | The Art and Business of Contemporary Film |
| FILM331 | Video Games as/and the Moving Image: Art, Aesthetics, and Design |
| FILM333 | Introduction to Russian and Soviet Cinema |
| FILM341 | The Cinema of Horror |
| FILM342 | Cinema of Adventure and Action |
| FILM347 | Melodrama and the Woman's Picture |
| FILM349 | Television: The Domestic Medium |
| FILM352 | From Caligari to Hitler: Weimar Cinema in Context |
| FILM355 | Newest German (and Austrian) Cinema |
| FILM358 | Italian Cinema: 1945-1965 |
| FILM360 | Philosophy and the Movies: The Past on Film |
| FILM362 | Calderwood Seminar in Public Writing: The Dark Turn in Television Storytelling |
| FILM366 | Elia Kazan's Films and Archives |
| FILM381 | Martin Scorsese |
| FILM385 | Documentary History |
| FILM388 | Global Film Auteurs |
| FILM389 | Film Genres: The Western |
| FILM390 | History of Film Sound |
| FILM391 | Sex and Violence: American Film-making Under Censorship |
| FILM392 | Cinema Stylists: Sternberg, Ophuls, Sirk, Fellini |
| FILM451 | Introduction to Digital Filmmaking |
| FILM455 | Writing for Television |
| FILM456 | Advanced Filmmaking |
| FILM459 | Writing for Television II |
| FILM460 | Scripting Series for the Small Screen |