| THEA151 | Performance and Culture |
| THEA155 | Approaches to Acting |
| THEA183 | Directed Experiences in Acting |
| THEA202 | Greek Drama |
| THEA214 | Theater of Anton Chekhov: Research, Analysis, and Performance |
| THEA218 | Blackface Minstrelsy, Then and Now |
| THEA227 | The Civil Rights and Black Arts Movements in Performance |
| THEA237 | Seeing Performance Art: From Futurism to the Present |
| THEA241 | Russian Theater: Reflection of Society in the 20th Century and Today |
| THEA251 | Theories and Practices of Improvisation |
| THEA280 | Script Analysis |
| THEA281 | Directing I |
| THEA286 | Solo Performance |
| THEA302 | History of Drama and Theater II |
| THEA303 | Irish Plays and Politics |
| THEA306 | The Avant-Garde Theater |
| THEA307 | Acting Theories |
| THEA312 | Advanced Performance Workshop |
| THEA314 | Masks, Physical Comedy, and Commedia Dell'Arte: Advanced Acting |
| THEA315 | Latin American Theater: Topics |
| THEA321 | Translation/Adaptation |
| THEA326 | Performing Race |
| THEA337 | Sound for the Theater |
| THEA348 | Music and Theater of Indonesia |
| THEA359 | Scenic Design for the Theater |
| THEA383 | Costume Design for Theater and Dance |
| THEA384 | Introduction to Puppetry |
| THEA398 | Theater Criticism |
| THEA427 | Advanced Practice in Acting and Directing A |