| ALIT202 | Japanese Horror Fiction and Film |
| ALIT204 | Popular Culture in Late Imperial and Modern China |
| ALIT207 | Japanese Women Writers: Modern and Contemporary Periods |
| ALIT208 | City in Modern Chinese Literature and Film |
| ALIT210 | From Tea to Connecticut Rolls: Defining Japanese Culture Through Food |
| ALIT211 | The Chinese Canon and Its Afterlife |
| ALIT212 | Gender Issues in Chinese Literature and Culture |
| ALIT220 | Stereotyped Japan: A Critical Investigation of Geisha Girls and Samurai Spirit |
| ALIT226 | Memory and Identity in Contemporary Chinese Fiction and Film |
| ALIT230 | Japanese Detective Fiction and Narrative Theory |
| ALIT257 | Nation, Class, and the Body in 20th-Century Chinese Literature and Film |
| ARHA291 | Duty, Power, Pleasure, Release: Key Themes in Classical Indian Thought |
| CCIV112 | Three Great Myths: Prometheus, Persephone, and Dionysus |
| CCIV117 | Eros the Bittersweet: Love and Desire in Classical Antiquity |
| CCIV120 | In a Manner of Speaking: An Introduction to Classical Rhetoric |
| CCIV122 | Alexander the Great: History and Legend |
| CCIV150 | Ancient Rome: From Hut Village to Imperial Capital |
| CCIV153 | Single Combat in the Ancient World |
| CCIV202 | Greek Drama |
| CCIV231 | Greek History |
| CCIV245 | Archaeology of Greek Cult |
| CCIV271 | Roman Self-Fashioning: Poets and Philosophers, Lovers and Friends |
| CCIV275 | Romans and Christians: The World of Late Antiquity |
| CCIV328 | Roman Urban Life |
| CCIV329 | Roman Villa Life |
| COL105 | Double Visions: Rewriting, Repainting, and Refilming the Classics |
| COL107 | Laughter and Politics |
| COL109 | A History of Civil Disobedience |
| COL112 | The European Novel from Cervantes to Calvino |
| COL130 | Thinking Animals: An Introduction to Animal Studies |
| COL207 | Outsiders in European Literature |
| COL216 | Writing Long Fiction |
| COL223 | All the World's a Stage: Theater and Society in the Age of Shakespeare and Calderón |
| COL232 | Death and the Limits of Representation |
| COL238 | Animal Theories/Human Fictions |
| COL239 | Paris, 19th Century |
| COL249 | Narrative and Ideology |
| COL255 | Tragedy |
| COL269 | French Feminisms: Texts, Pretexts, and Contexts |
| COL295 | The Athenian Enlightenment: The Birth of Philosophy in 5th-Century Athens |
| ENGL132 | Writing Medicine and the Doctor-Writer |
| ENGL234 | Scripts and Shows: Modern Drama as Literature and Performance |
| ENGL242 | Literary Theory I: Plato to Pope |
| ENGL243 | Caribbean Literature |
| ENGL269 | Aesthetics and/or Ideology |
| ENGL276 | Space and Place in Fiction |
| ENGL303 | Narrative Theory |
| ENGL327 | The Prose Poem and the Politics of Genre |
| ENGL351 | Jews and Christians in Medieval England: Debate, Dialogue, and Destruction |
| ENGL353 | Medieval Ethnicities and Ethnographies |
| ENGL358 | Special Topics: The Representation of Work in Fiction |
| ENGL366 | Medieval Disability Studies |
| FIST276 | Days and Knights of the Round Table |
| GRST251 | Kafka: Literature, Law, and Power |
| GRST252 | From Caligari to Hitler? Weimar Cinema in Context |
| GRST273 | Sex and Text in Freud's Vienna |
| GRST292 | Ghostly Doubles: Romantic Storytelling and Early German Film |
| RUSS205 | The 19th-Century Russian Novel |
| RUSS207 | Russia's Art of Empire, 18th-21st Centuries |
| RUSS222 | Doubles in Literature |
| RUSS232 | The Real McCoy: Constructing Identity |
| RUSS240 | Reading Stories |
| RUSS252 | Tolstoy |
| RUSS255 | The Central and East European Novel |
| RUSS258 | Russia's Storyteller Playwrights |
| RUSS265 | Kino: Russia at the Movies |
| RUSS279 | Theater of Anton Chekhov: Research, Analysis, and Performance |