ALIT207 | Japanese Women Writers: Modern and Contemporary Periods |
ALIT208 | City in Modern Chinese Literature and Film |
ALIT210 | From Tea to Connecticut Rolls: Defining Japanese Culture Through Food |
ALIT211 | The Chinese Canon and Its Afterlife |
ALIT212 | Gender Issues in Chinese Literature and Culture |
ALIT226 | Memory and Identity in Contemporary Chinese Fiction and Film |
ALIT228 | China's "Others": Hong Kong, Taiwan, and Other Literatures and Films |
ALIT230 | Japanese Detective Fiction and Narrative Theory |
ALIT234 | Representations of Men, Women, and Gender in China |
ALIT257 | Nation, Class, and the Body in 20th-Century Chinese Literature and Film |
ARHA291 | Duty, Power, Pleasure, Release: Key Themes in Classical Indian Thought |
CCIV112 | Three Great Myths: Prometheus, Persephone, and Dionysus |
CCIV122 | Alexander the Great: History and Legend |
CCIV150 | Ancient Rome: From Hut Village to Imperial Capital |
CCIV153 | Single Combat in the Ancient World |
CCIV205 | Introduction to Classical Mythology |
CCIV231 | Greek History |
CCIV245 | Archaeology of Greek Cult |
CCIV271 | Roman Self-Fashioning: Poets and Philosophers, Lovers and Friends |
CCIV275 | Romans and Christians: The World of Late Antiquity |
CCIV328 | Roman Urban Life |
CCIV329 | Roman Villa Life |
CHUM325 | The Caribbean Epic |
COL106 | The Italian Renaissance |
COL107 | Laughter and Politics |
COL109 | A History of Civil Disobedience |
COL112 | The European Novel from Cervantes to Calvino |
COL130 | Thinking Animals: An Introduction to Animal Studies |
COL207 | Outsiders in European Literature |
COL216 | Writing Long Fiction |
COL223 | All the World's a Stage: Theater and Society in the Age of Shakespeare and Calderón |
COL232 | Paris and Its Representations: Realities and Fantasies |
COL238 | Animal Theories/Human Fictions |
COL239 | Paris, 19th Century |
COL270 | The Modernist City-Novel from Dublin to Döblin |
ENGL132 | Writing Medicine and the Doctor-Writer |
ENGL234 | Scripts and Shows: Modern Drama as Literature and Performance |
ENGL235 | Childhood in America |
ENGL242 | Literary Theory I: Plato to Pope |
ENGL251 | Epic Tradition |
ENGL293 | Introduction to Medieval Literature |
ENGL295 | Reading Theories |
ENGL303 | Narrative Theory |
ENGL322 | Poetics of the Short-Short |
ENGL327 | The Prose Poem and the Politics of Genre |
ENGL351 | Jews and Christians in Medieval England: Debate, Dialogue, and Destruction |
ENGL353 | Medieval Ethnicities and Ethnographies |
ENGL358 | Special Topics: The Representation of Work in Fiction |
ENGL366 | Medieval Disability Studies |
ENGL373 | Beyond the Grail: Medieval Romances |
FIST245 | Italian Cinema, Italian Society |
FIST276 | Days and Knights of the Round Table |
FIST302 | The View from Abroad on the Early Modern Stage |
GRST240 | The Ends of Empire: Narratives of Culmination and Decline in Philosophy and Literature |
GRST251 | Kafka: Literature, Law, and Power |
GRST252 | From Caligari to Hitler: Weimar Cinema in Context |
GRST261 | Reading Nietzsche |
GRST273 | Sex and Text in Freud's Vienna |
RUSS205 | The 19th-Century Russian Novel |
RUSS222 | Doubles in Literature |
RUSS232 | The Real McCoy: Constructing Identity |
RUSS240 | Reading Stories: Great Short Works from Tolstoy to Petrushevskaya |
RUSS251 | Dostoevsky |
RUSS255 | The Central and East European Novel |
RUSS258 | Russia's Storyteller Playwrights |
RUSS263 | Nabokov and Cultural Synthesis |
RUSS265 | Kino: Russia at the Movies |
RUSS277 | Gogol and His Legacy: Witches, Con Men, and Runaway Noses |