| ALIT207 | Japanese Women Writers: Modern and Contemporary Periods |
| ALIT208 | City in Modern Chinese Literature and Film |
| ALIT210 | From Tea to Connecticut Rolls: Defining Japanese Culture Through Food |
| ALIT211 | The Chinese Canon and Its Afterlife |
| ALIT212 | Gender Issues in Chinese Literature and Culture |
| ALIT226 | Memory and Identity in Contemporary Chinese Fiction and Film |
| ALIT228 | China's "Others": Hong Kong, Taiwan, and Other Literatures and Films |
| ALIT230 | Japanese Detective Fiction and Narrative Theory |
| ALIT234 | Representations of Men, Women, and Gender in China |
| ALIT257 | Nation, Class, and the Body in 20th-Century Chinese Literature and Film |
| ARHA291 | Duty, Power, Pleasure, Release: Key Themes in Classical Indian Thought |
| CCIV112 | Three Great Myths: Prometheus, Persephone, and Dionysus |
| CCIV122 | Alexander the Great: History and Legend |
| CCIV150 | Ancient Rome: From Hut Village to Imperial Capital |
| CCIV153 | Single Combat in the Ancient World |
| CCIV205 | Introduction to Classical Mythology |
| CCIV231 | Greek History |
| CCIV245 | Archaeology of Greek Cult |
| CCIV271 | Roman Self-Fashioning: Poets and Philosophers, Lovers and Friends |
| CCIV275 | Romans and Christians: The World of Late Antiquity |
| CCIV328 | Roman Urban Life |
| CCIV329 | Roman Villa Life |
| CHUM325 | The Caribbean Epic |
| COL106 | The Italian Renaissance |
| COL107 | Laughter and Politics |
| COL109 | A History of Civil Disobedience |
| COL112 | The European Novel from Cervantes to Calvino |
| COL130 | Thinking Animals: An Introduction to Animal Studies |
| COL207 | Outsiders in European Literature |
| COL216 | Writing Long Fiction |
| COL223 | All the World's a Stage: Theater and Society in the Age of Shakespeare and Calderón |
| COL232 | Paris and Its Representations: Realities and Fantasies |
| COL238 | Animal Theories/Human Fictions |
| COL239 | Paris, 19th Century |
| COL270 | The Modernist City-Novel from Dublin to Döblin |
| ENGL132 | Writing Medicine and the Doctor-Writer |
| ENGL234 | Scripts and Shows: Modern Drama as Literature and Performance |
| ENGL235 | Childhood in America |
| ENGL242 | Literary Theory I: Plato to Pope |
| ENGL251 | Epic Tradition |
| ENGL293 | Introduction to Medieval Literature |
| ENGL295 | Reading Theories |
| ENGL303 | Narrative Theory |
| ENGL322 | Poetics of the Short-Short |
| ENGL327 | The Prose Poem and the Politics of Genre |
| ENGL351 | Jews and Christians in Medieval England: Debate, Dialogue, and Destruction |
| ENGL353 | Medieval Ethnicities and Ethnographies |
| ENGL358 | Special Topics: The Representation of Work in Fiction |
| ENGL366 | Medieval Disability Studies |
| ENGL373 | Beyond the Grail: Medieval Romances |
| FIST245 | Italian Cinema, Italian Society |
| FIST276 | Days and Knights of the Round Table |
| FIST302 | The View from Abroad on the Early Modern Stage |
| GRST240 | The Ends of Empire: Narratives of Culmination and Decline in Philosophy and Literature |
| GRST251 | Kafka: Literature, Law, and Power |
| GRST252 | From Caligari to Hitler: Weimar Cinema in Context |
| GRST261 | Reading Nietzsche |
| GRST273 | Sex and Text in Freud's Vienna |
| RUSS205 | The 19th-Century Russian Novel |
| RUSS222 | Doubles in Literature |
| RUSS232 | The Real McCoy: Constructing Identity |
| RUSS240 | Reading Stories: Great Short Works from Tolstoy to Petrushevskaya |
| RUSS251 | Dostoevsky |
| RUSS255 | The Central and East European Novel |
| RUSS258 | Russia's Storyteller Playwrights |
| RUSS263 | Nabokov and Cultural Synthesis |
| RUSS265 | Kino: Russia at the Movies |
| RUSS277 | Gogol and His Legacy: Witches, Con Men, and Runaway Noses |