| WLIT208 | Anticolonial/Decolonial: Literature and Film |
| WLIT221 | Place and Space in Literary Hangzhou |
| WLIT222 | Theater/Drama Traditions of China and Japan |
| WLIT223 | Narrating China: Introduction to 20th- and 21st-Century Chinese Literature |
| WLIT224 | Traditional China: Eco-civilization and Its Discontents |
| WLIT225 | From Tea to Connecticut Rolls: Defining Japanese Culture Through Food |
| WLIT226 | In Search of the Good Life in Premodern Japan |
| WLIT241 | Murder and Adultery: Dostoevsky, Tolstoy, and the 19th-Century Russian Novel |
| WLIT242 | Gogol and His Legacy: Witches, Con Men, and Runaway Noses |
| WLIT243 | Speak, Memory: The Russian Memoir |
| WLIT247 | Don Quixote: How to Read the Ultimate Novel |
| WLIT250 | The Cosmos of Dante's "Comedy" |
| WLIT251 | Good, Evil, Human: German Fairy Tales and Their Cultural Impact |
| WLIT252 | Tolstoy |
| WLIT253 | Myths, Monsters, and Misogyny: An Introduction to Greek and Roman Mythology |
| WLIT255 | Introduction to Russian and Soviet Cinema |
| WLIT256 | After Communism: Animals, Avatars, Hybrids |
| WLIT257 | Performing Russian Culture: From Peter the Great to the Russian Revolution |
| WLIT259 | Prague, Vienna, Sarajevo: 20th-Century Novels from Central and Eastern Europe |
| WLIT271 | Mahabharata and Ramayana: The Sanskrit Epics and Indian Visual Culture |
| WLIT273 | Tibetan Religion |
| WLIT281 | Introduction to the Hebrew Bible (Old Testament) |
| WLIT301 | Global Film Auteurs |
| WLIT321 | The Legacy of World War II in Postwar Japan |
| WLIT333 | Storytelling in Japan's Empire (and its Aftermaths) |
| WLIT341 | Moscow/Berlin: Socialist Modernity and the Transnational Avant-Garde |