| ENGL110 | Poetry and Democracy |
| ENGL131 | Writing About Places |
| ENGL132 | Writing Medicine and the Doctor-Writer |
| ENGL136 | Not Quite Passing |
| ENGL151 | American Revolutions and Counterrevolutions |
| ENGL161 | Captive and Confined: Literatures of Imprisonment |
| ENGL171 | Brief Encounters: Short Fiction by African American Women |
| ENGL175 | Staging America: Modern American Drama |
| ENGL201A | Ways of Reading: Adapting Shakespeare |
| ENGL201B | Ways of Reading: Narrative Forms |
| ENGL201C | Ways of Reading: Texts and Territories |
| ENGL201F | Ways of Reading: Literature About Literature |
| ENGL201G | Ways of Reading: Contact Zones |
| ENGL201H | Ways of Reading: Influence, Imitation, Invention |
| ENGL201J | Ways of Reading: Literary Form and Forms |
| ENGL201K | Ways of Reading: Borrowing and Stealing: Authorship and Originality in Literature |
| ENGL201P | Ways of Reading: Autobiography |
| ENGL204A | American Literature, 1865-1945 |
| ENGL205 | Shakespeare |
| ENGL206 | British Literature in the Enlightenment: Individualism, Consumer Culture, the Public Sphere |
| ENGL207 | Chaucer and His World |
| ENGL211 | Ethics of Embodiment (FGSS Gateway) |
| ENGL222 | Slavery and the Literary Imagination |
| ENGL224 | Medieval Drama: Read It and Be in It |
| ENGL226 | Romantic-Era Extremities: Madness, Revolution, Sublimity, and the Celtic Fringe |
| ENGL227 | Reading The Victorians |
| ENGL228 | The American Pacific |
| ENGL229 | The New York School: Poetry, Art, Movies, and the Mimeo Revolution |
| ENGL230 | Introduction to Asian American Literature |
| ENGL233 | History of Musical Theater |
| ENGL234 | Jane Austen and the Romantic Age |
| ENGL235 | Childhood in America |
| ENGL236 | The British Modernist Novel, 1900-1945 |
| ENGL238 | Contemporary African American Poetry and Its Pasts |
| ENGL240 | Introduction to African American Literature |
| ENGL241 | Special Topics: Merging Forms |
| ENGL242 | Storied Places: Revival, Renewal, and African American Landscapes |
| ENGL246 | Personalizing History |
| ENGL247 | Narrative and Ideology |
| ENGL248 | Shakespeare on Film |
| ENGL249 | Contemporary Plays: Writing and Reading |
| ENGL250 | Contemporary U.S. Poetry |
| ENGL251 | Epic Tradition |
| ENGL252 | Animal Theories/Human Fictions |
| ENGL253 | Science and/as Literature in Early Modern England |
| ENGL255 | Writing on the Land of Freedom: The Pastoral in African American Literature |
| ENGL258 | New World Poetics |
| ENGL260 | International Crime Fiction |
| ENGL265 | Future Visions: Temporality and the Politics of Change |
| ENGL269 | Introduction to Playwriting |
| ENGL274 | Caribbean Poetry and Cinema: "Fields of Islands" in an Open Sea |
| ENGL276 | Diasporic South Asian Writing and American Studies |
| ENGL280 | Staging Race in Early Modern England |
| ENGL281 | Award-Winning Playwrights |
| ENGL288 | Poets, Radicals, and Reactionaries: Romantic Poetry in Conversation |
| ENGL293 | Love, War, and a Few Monsters: An Introduction to Medieval Literature |
| ENGL295 | Reading Theories |
| ENGL299 | A Playwright's Workshop: Intermediate |
| ENGL301 | Philosophy of Memory in African American Literature |
| ENGL303 | Narrative Theory |
| ENGL305 | Shakespeare's Macbeth: From Saga to Screen |
| ENGL306 | Special Topics: The Beats and Their Discontents |
| ENGL308 | The Grumbling Hive: Ethics and British Literature, 1660--1800 |
| ENGL309 | Entertaining Social Change |
| ENGL310 | The Senses and the Subject in Cinema and Poetry |
| ENGL316 | Rethinking World Literature |
| ENGL317 | Special Topics: Plot |
| ENGL319 | Crossing the Color Line: Racial Passing in American Literature |
| ENGL320 | Shakespeare, Milton, and Wordsworth |
| ENGL321 | Special Topics: A Poet's Tour of the Essay: Innovative, Aversive, and Engaged Prose |
| ENGL323 | Trauma in Asian American Literature |
| ENGL325 | Intermediate Nonfiction Workshop |
| ENGL327 | Criticism and Psychoanalysis |
| ENGL328 | Brown, Black, and Queer Forms and Feelings |
| ENGL329 | Postwar American Writers: Philip Roth and Don DeLillo |
| ENGL330 | Race, Romance, and Reform in 19th-Century African American Women's Writing |
| ENGL331 | Topics in African American Literature: Charles Chesnutt and Pauline Hopkins |
| ENGL332 | Romanticism, Criticism, Theory |
| ENGL334 | Romantic Poetry and the Sense of History |
| ENGL336 | Intermediate Poetry Workshop |
| ENGL338 | Poetry, Print, and the Sung or Spoken Word |
| ENGL340 | Death and Afterlife in the Middle Ages |
| ENGL343 | Contesting American History: Fiction After 1967 |
| ENGL347 | Special Topics: Day Books, Diaries, Notebooks, Etc. |
| ENGL348 | Modernism's Kids: Children in Modernist Fiction |
| ENGL349 | Historicizing Early Modern Sexualities |
| ENGL350 | The Law, the Citizen, and the Literary and Cinematic Imaginations |
| ENGL355 | Special Topics: The Use of Humor |
| ENGL357 | Utter Nonsense: From Allegory to Zaum |
| ENGL361 | After Orientalism: Asian American Literature and Theory After 2000 |
| ENGL362 | Shipwrecks of the Singular |
| ENGL363 | The Sounds of Black and Brown Performance |
| ENGL366 | The Sounds of Being: Radical Black and Latina/o Poetry, Music, Cinema, and Dance |
| ENGL372 | Literature and Visual Culture in Shakespeare's England |
| ENGL373 | Beyond the Grail: Medieval Romances |
| ENGL377 | The View from Abroad on the Early Modern Stage |
| ENGL378 | Queer Times: Poetics and Politics of Temporality |
| ENGL380 | In Place of Reading: Social Location and the Literary Text |
| ENGL381 | Advanced Fiction |
| ENGL383 | Faulkner and Morrison |
| ENGL385 | Survey of African American Theater |
| ENGL399 | Advanced Playwriting: Long Form |