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FILM150 Documentary Advocacy FILM304 History of World Cinema to the 1960s FILM308 The Musical Film FILM309 Film Noir FILM313 Early Cinema and the Silent Feature FILM319 Television Storytelling: The Conditions of Narrative Complexity FILM320 The New German Cinema FILM322 Alfred Hitchcock FILM341 The Cinema of Horror FILM342 Cinema of Adventure and Action FILM343 The History of the American Film Industry in the Studio Era FILM344 Color and Light in the Cinema FILM346 Contemporary East Asian Cinema FILM348 Postwar American Independent Cinema FILM350 Contemporary International Art Cinema FILM351 Classical Film Theory FILM385 The Documentary Film FILM414 Senior Seminar FILM453 Animation in the Digital Age FILM454 Screenwriting FILM457 Advanced Filmmaking Spring 2013 Courses Not Offered       Summer Session       Winter Session       Home       Archive       Search       FILM FILM140 Making the Science Documentary FILM160 The Past on Film FILM303 Falling Anvils and Flying Pigs: The History and Analysis of Animated Cinema FILM308 The Musical Film FILM309 Film Noir FILM310 Introduction to Film Analysis FILM312 The Western: History and Definition FILM313 Early Cinema and the Silent Feature FILM314 Directorial Style: Classic American Film Comedy FILM322 Alfred Hitchcock FILM342 Cinema of Adventure and Action FILM344 Color and Light in the Cinema FILM346 Contemporary East Asian Cinema FILM347 Melodrama and the Woman's Picture FILM348 Postwar American Independent Cinema FILM349 Television: The Domestic Medium FILM351 Classical Film Theory FILM352 From Caligari to Hitler? Weimar Cinema in Context FILM353 Visual Effects: History and Aesthetics FILM365 Kino: Russia at the Movies FILM366 Elia Kazan's Films and Archives FILM367 Frank Capra's Films & Archive FILM385 The Documentary Film FILM386 The Documentary Film for Majors FILM414 Senior Seminar FILM451 Introduction to Digital Filmmaking FILM456 Advanced Filmmaking FILM459 Writing for Television II

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