FILM105 | Writing the Moving Image: An Introduction to Crafting Visual Stories |
FILM157 | Unfaithful: Relationships Between Film and Literature |
FILM250 | Computational Media: Videogame Design and Development |
FILM301 | The History of Spanish Cinema |
FILM304 | History of World Cinema to the 1960s |
FILM305 | CFILM: Sophomore Colloquium: Silent Film, the Universal Language of Cinema |
FILM309 | Film Noir |
FILM310 | Introduction to Film Analysis |
FILM315 | Myth and Ideology in Cinema: Hollywood Sex, Race, Class, and Culture |
FILM319 | Television Storytelling: The Conditions of Narrative Complexity |
FILM320 | The New German Cinema |
FILM322 | Alfred Hitchcock |
FILM330 | The Art and Business of Contemporary Film |
FILM331 | Video Games as/and the Moving Image: Art, Aesthetics, and Design |
FILM342 | Cinema of Adventure and Action |
FILM343 | The History of the American Film Industry in the Studio Era |
FILM346 | Contemporary East Asian Cinema |
FILM347 | Melodrama and the Woman's Picture |
FILM348 | Postwar American Independent Cinema |
FILM349 | Television: The Domestic Medium |
FILM350 | Contemporary International Art Cinema |
FILM352 | From Caligari to Hitler: Weimar Cinema in Context |
FILM360 | Philosophy and the Movies: The Past on Film |
FILM362 | Television Storytelling: Consuming Darkness |
FILM366 | Elia Kazan's Films and Archives |
FILM367 | Frank Capra's Films and Archives |
FILM370 | The Art of Film Criticism |
FILM381 | Martin Scorsese |
FILM385 | The Documentary Film |
FILM386 | The Long and the Short: Fritz Lang in Berlin and Hollywood |
FILM414 | Senior Seminar |
FILM441 | Video Art |
FILM451 | Introduction to Digital Filmmaking |
FILM452 | Writing About Film |
FILM457 | Advanced Filmmaking |
REES234 | Woody Allen and the Russian Novel |