| THEA114 | Incarcerated Stories: Documenting In/Justice |
| THEA135F | Documentary Performance: Theater and Social Justice (FYS) |
| THEA150 | Introduction to Performance Studies |
| THEA172F | Staging America: Modern American Drama (FYS) |
| THEA175F | August Wilson (FYS) |
| THEA185 | Text & Visual Imagination: Introduction to Eco Design for Performance |
| THEA202 | Greek Drama: Theater and Social Justice, Ancient and Modern |
| THEA203 | Playing in the Theater Archive: An Introduction to Performance Studies |
| THEA210 | Shakespeare |
| THEA213 | Performing Arts Videography |
| THEA221 | Rescripting America for the Stage |
| THEA231 | Classic Spanish Plays: Love, Violence, and (Poetic) Justice on the Early Modern Stage |
| THEA235 | Writing on and as Performance |
| THEA237 | Performance Art |
| THEA238 | The Intercultural Stage: Migration and the Performing Arts in the Hispanic World |
| THEA243 | Theater/Drama Traditions of China and Japan |
| THEA246 | Adornment: The Human Body on Display |
| THEA254 | The World of Federico García Lorca: Tradition and Modernity in the Spanish Avant-Garde |
| THEA261 | Sites of Resistance & Memory: Theater, Performance & Political Consciousness in Contemporary Spain |
| THEA263 | Mythic & Modern: Reappropriating Classical Themes in Contemporary Drama and Performance |
| THEA266 | Black Performance Theory |
| THEA267 | Revolution Girl-Style Now: Queer and Feminist Performance Strategies |
| THEA273 | BlaQueer Sounds: Queer Negotiations in African American Music |
| THEA276 | Body, Voice, Text: Theater and the Transmission of Experience |
| THEA280 | Award-Winning Playwrights |
| THEA281 | Introduction to Directing |
| THEA285 | Acting II |
| THEA289 | Writing History |
| THEA290 | Staging Race in Early Modern England |
| THEA291 | French and Francophone Theater in Performance |
| THEA292 | Spectacles of Violence in Early Modern French Tragedy |
| THEA297 | Latin American Theater and Performance |
| THEA302 | Contemporary Theater: Theories and Aesthetics |
| THEA305 | Lighting Design for the Theater |
| THEA306 | Techniques of the Liar: Performance, Artifice, Fraud |
| THEA308 | Composition in the Arts |
| THEA309 | The Actor's Work on Psychophysical Actions: A Nonrealist Approach |
| THEA311 | Queer and Trans Aesthetics |
| THEA316 | Advanced Topics in Performance Studies: Imagining Anticolonial Performance Practices |
| THEA319 | Voice and Heightened Text |
| THEA323 | Survey of African American Theater |
| THEA333 | About Clothes: Styles, Histories, Activisms, Poetics |
| THEA337 | Insubstantial Pageants: Late Shakespeare |
| THEA348 | Music and Theater of Indonesia |
| THEA350 | Calderwood Seminar in Public Writing: Arts Journalism |
| THEA351 | Melodrama Since 1700 |
| THEA352 | Following Fornés: Creativity, Intimacy, and Imagination |
| THEA354 | Improvisation: Diasporic Modalities |
| THEA359 | Space Design for Performance |
| THEA362 | Visualizing Black Remains |
| THEA363 | (Un)Popular Performances/Performances (Im)Populaires |
| THEA364 | Friendship and Collaboration: In Theory, In Practice |
| THEA371 | Sister Acts: Black Feminist/Womanist Theater of the African Diaspora |
| THEA372 | Site-Specific Choreography |
| THEA376 | The Artist in the Community: Civic Engagement and Collaborative Dancemaking |
| THEA377 | Worlding the World: Creation Myths from Ancient Greece to the Multiverse |
| THEA383 | Introduction to Costume Design for Performance |
| THEA437 | Performance Practice in Design B |