| COL104 | Baroque Rome |
| COL106 | The Italian Renaissance |
| COL108 | Language |
| COL112 | The European Novel from Cervantes to Calvino |
| COL115 | How to Read a Literary Text |
| COL130 | Thinking Animals: An Introduction to Animal Studies |
| COL201 | Writing Nonfiction |
| COL206 | Remembering the Self: Forces and Forms of Autobiography |
| COL207 | Outsiders in European Literature |
| COL209 | Gender and Authority in the Spanish Comedia and Empire: The Spectacle and Splendor of Women in Power |
| COL210 | What's Right and What's Left? Literature, Philosophy, Art, and Politics in Inter-War Europe |
| COL212 | Introduction to Social, Cultural, and Critical Theory |
| COL213 | Writing Short Fiction |
| COL215 | Theater of Anton Chekhov: Research, Analysis, and Performance |
| COL220 | Modern Christian Thought |
| COL221 | The Ends of Empire: Narratives of Culmination and Decline in Philosophy and Literature |
| COL222 | The Art of Pilgrimage in Medieval Europe, 1100-1500 |
| COL225 | 20th-Century Franco-Caribbean Literature and the Search for Identity |
| COL229 | Heroes, Lovers, and Swindlers: Medieval and Renaissance Spanish Literature and History |
| COL230 | Introduction to European Avant-Garde, 1880-1940 |
| COL231 | Orientalism: Spain and Africa |
| COL232 | Paris and Its Representations: Realities and Fantasies |
| COL234 | From Exile into Paradise: Dante's "Divine" Comedy |
| COL237 | The World of Federico García Lorca: Tradition and Modernity in the Spanish Avant-Garde |
| COL238 | Animal Theories/Human Fictions |
| COL239 | Paris, 19th Century |
| COL240 | Modernism and Modernity in 19th-Century French Painting |
| COL241 | Sophomore Colloquium |
| COL242 | Cinema, Politics, and Society in Contemporary Spain |
| COL243 | Junior Colloquium |
| COL245 | Senior Colloquium |
| COL248 | Urban Fantasies: The City, Sexuality, and National Identity in the Modern Spanish Novel |
| COL249 | Narrative and Ideology |
| COL250 | Imperial Spain, c.1450-1800 |
| COL251 | Kafka: Literature, Law, and Power |
| COL256 | The Emergence of World Literature(s) |
| COL260 | Between Word and World: Major Spanish Poets of the 20th Century |
| COL262 | Tolstoy |
| COL263 | Families on Stage: Individual, Society, and the Nation in Spanish Theater from 1600 to the Present |
| COL265 | Nabokov and Cultural Synthesis |
| COL271 | Performing Ethnicity in Spain: Flamenco, Gypsies, and the Construction of a National Culture |
| COL284 | Joyce's ULYSSES |
| COL286 | French Cinema: An Introduction |
| COL288 | Russia's Storyteller Playwrights |
| COL293 | Goethe, Schiller, and German Romanticism |
| COL294 | Diasporas, Transnationalism, and Globalization |
| COL297 | Reading Nietzsche |
| COL298 | Minorities in French Cinema |
| COL304 | Negotiating Gender in the Maghreb |
| COL305 | Nomadic Islanders: Contemporary Caribbean Diasporas and Identities |
| COL306 | The Beautiful and the Sublime |
| COL307 | Negotiating French Identity: Migration and Identity in Contemporary France |
| COL313 | Classic Spanish Plays: Love, Violence, and (Poetic) Justice on the Early Modern Stage |
| COL314 | The View from Abroad on the Early Modern Stage |
| COL323 | Gender and History (FGSS Gateway) |
| COL327 | Cervantes |
| COL332 | European Intellectual History Since the Renaissance |
| COL333 | Beauty, Science, and Morality |
| COL337 | Rabbis, Rebels, and Reformers: Jewish Philosophy Through the Ages |
| COL338 | Stuff and Nonsense: Writing and/or Meaning from Absurdism to Zaum |
| COL340 | Observing Justice: Trials and Judgments in Arendt, Kleist, and Kafka |
| COL349 | Wagner and Modernism |
| COL359 | Philosophical Classics I: Ancient Western Philosophy |
| COL382 | Viennese Modernism |
| COL384 | Lust and Disgust in Austrian Literature Since 1945 |
| COL390 | Weimar Modernism and the City of Berlin |