| ENGL105 | Body and Text |
| ENGL110 | Poetry and Democracy |
| ENGL111 | Shakespeare and Company |
| ENGL115 | Literature of London |
| ENGL132 | Writing Medicine and the Doctor-Writer |
| ENGL140 | Literature, Laughter, Philosophy: Tristram Shandy |
| ENGL151 | American Revolutions and Counterrevolutions |
| ENGL171 | Brief Encounters: Short Fiction by African American Women |
| ENGL195 | Readings in American Drama |
| ENGL201A | Ways of Reading: Adapting Shakespeare |
| ENGL201C | Ways of Reading: Texts and Territories |
| ENGL201D | Ways of Reading: Reading for Genre: Form, History, Theory |
| ENGL201E | Ways of Reading: Reading Encounters: Gifts, Debts, and Promises |
| ENGL201F | Ways of Reading: Literature about Literature |
| ENGL201G | Ways of Reading: Contact Zones: Travel, Migration, and American Literature |
| ENGL201J | Ways of Reading: Literary Form and Forms |
| ENGL204 | American Literature, 1865-1945 |
| ENGL205 | Shakespeare |
| ENGL207 | Chaucer and His World |
| ENGL208 | Enlightenment to Modernism: British Literature, 1780-1914 |
| ENGL210 | The Rise of the Novel |
| ENGL211 | Ethics of Embodiment (FGSS Gateway) |
| ENGL213 | Contemporary British and American Fiction |
| ENGL214 | Introduction to Social, Cultural, and Critical Theory |
| ENGL215 | Place and Belonging: 20th C. Latina/o, African American, & Caribbean Imagination--NYC |
| ENGL222 | Slavery and the Literary Imagination |
| ENGL223 | After Achebe: Contemporary African Writing |
| ENGL224 | Medieval Drama: Read It and Be in It |
| ENGL225 | Outsiders in European Literature |
| ENGL226 | Romantic Extremities: Madness, Revolution, Sublimity, and the Celtic Fringe |
| ENGL228 | The American Pacific |
| ENGL230 | Introduction to Asian American Literature |
| ENGL232 | Mystics and Militants: Medieval Women Writers |
| ENGL233 | History of Musical Theater |
| ENGL236 | The British Modernist Novel, 1900-1945 |
| ENGL240 | Introduction to African American Literature |
| ENGL241 | Special Topics in Creative Writing: Merging Forms |
| ENGL243 | Caribbean Writers in the U.S. Diaspora |
| ENGL244 | Workshop in African American Poetry |
| ENGL246 | Personalizing History |
| ENGL247 | Narrative and Ideology |
| ENGL248 | Imagining the American South |
| ENGL249 | Contemporary Plays: Writing and Reading |
| ENGL250 | Contemporary U.S. Poetry |
| ENGL252 | Animal Theories/Human Fictions |
| ENGL253 | Science and/as Literature in Early Modern England |
| ENGL255 | Writing on the Land of Freedom: The Pastoral in African American Literature |
| ENGL256 | The Emergence of World Literature(s) |
| ENGL258 | New World Poetics |
| ENGL259 | Shakespeare and the Category of the Human |
| ENGL263 | The "Modern" 18th Century: Science, Consumer Culture, Individuality, and Enlightenment |
| ENGL265 | Future Visions: Temporality and the Politics of Change |
| ENGL268 | Creative Criticism and Inquiry: Writing Documentary Nonfiction and Poetry |
| ENGL269 | Introduction to Playwriting |
| ENGL288 | Poets, Radicals, and Reactionaries: Romantic Poetry in Conversation |
| ENGL290 | Place, Character, and Design: Techniques in Writing Nonfiction and Fiction |
| ENGL294 | Diasporas, Transnationalism, and Globalization |
| ENGL299 | A Playwright's Workshop: Intermediate |
| ENGL310 | The Senses and the Subject in Cinema and Poetry |
| ENGL311 | Modernist Writers: Virginia Woolf and Jean Rhys |
| ENGL316 | Rethinking World Literature |
| ENGL318 | Postwar African American Fiction |
| ENGL319 | Crossing the Color Line: Racial Passing in American Literature |
| ENGL320 | Shakespeare, Milton, and Wordsworth |
| ENGL321 | Richard Wright and Company |
| ENGL324 | Black Power and the Modern Narrative of Slavery |
| ENGL325 | Intermediate Nonfiction Workshop |
| ENGL329 | Postwar American Writers: Philip Roth and Don DeLillo |
| ENGL330 | Race, Romance, and Reform in 19th-Century African American Women's Writing |
| ENGL331 | Topics in African American Literature: Charles Chesnutt and Pauline Hopkins |
| ENGL332 | Romanticism, Criticism, Theory |
| ENGL334 | Romantic Poetry and the Sense of History |
| ENGL336 | Intermediate Poetry Workshop |
| ENGL338 | Poetry, Print, and the Sung or Spoken Word |
| ENGL345 | American Literature as American Studies |
| ENGL347 | Special Topics: Day Books, Diaries, Notebooks, Etc. |
| ENGL349 | Historicizing Early Modern Sexualities |
| ENGL351 | Jews and Christians in Medieval England: Debate, Dialogue, and Destruction |
| ENGL353 | Medieval Ethnicities and Ethnographies |
| ENGL355 | Special Topics: The Use of Humor |
| ENGL359 | Southern Literature as Migration Studies |
| ENGL360 | Special Topics: Writing Lives |
| ENGL364 | Vietnam and the American Imagination |
| ENGL365 | Querying the Nation: American Literature and Ethnic Studies |
| ENGL369 | Performing Black Womanhood:Theorizing African American Women's Identity in 20thC Politics & Culture |
| ENGL370 | The Graphic Novel |
| ENGL372 | Literature and Visual Culture in Shakespeare's England |
| ENGL373 | Beyond the Grail: Medieval Romances |
| ENGL374 | American Autobiography |
| ENGL375 | British Poetry Between Milton and Wordsworth |
| ENGL377 | The View from Abroad on the Early Modern Stage |
| ENGL378 | Queer Times: The Poetics and Politics of Temporality |
| ENGL379 | The Caribbean Epic |
| ENGL380 | In Place of Reading: Social Location and the Literary Text |
| ENGL381 | Advanced Fiction |
| ENGL383 | Faulkner and Morrison |
| ENGL385 | Survey of African American Theater |